The responses from white students asked to identify an iconic picture of Emmett Till, the 14-year-old Black boy who was lynched in Mississippi and helped spur the civil rights movement, are cringeworthy, stumping most who can’t say who it is. “I don’t,” a girl says, starting to apologize. They ask white students if they have any Black friends. They ask white students what they learned during Black History Month. The power of the videos, Weaver said, is that they show the difference between what white students overlook or ignore and what Black students experience. The two-minute videos they post of the responses are meant to be unfiltered, to document the answers without comment. They go around campus with an iPhone, asking mostly white students questions about race and marginalized communities in person-on-the-street style interviews. With their account, they intend to expose the attitudes they come across every day. “It might seem provocative to some, but it’s just that most people don’t know what it’s like being Black at a church-owned institution or even a majority white institution.” In the 2006 documentary The Slanted Screen: Asian Men in Film and Television, Shigeta recalled when an MGM director told him early in his career, “If you were white, you'd be a hell of a big star." Shigeta remarked this conversation was “the first time that had some kind of a clue as to the fact that there might be some discrimination out there.” 3.“We’re highlighting the reality here for people like us,” said senior Rachel Weaver, who is one of five students who run the TikTok account. Shigeta also stood out for his roles in The Crimson Kimono (1959), Walk Like a Dragon (1960), and Bridge to the Sun (1961). Shigeta was known for his role as Wang Ta in Flower Drum Song (1961), a film adaption of the musical that was the first Hollywood film to have a majority Asian American cast and was nominated for five academy awards.
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Upon his return to the United States, he began his American career as a nightclub entertainer under the pseudonym “ Guy Brion.”
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The phenomenon, steeped in racism, was triggered by multiple factors, including the fear of possible military invasion from Asia, perceived competition by Asian workers to the white labor force and potential ethnic contamination as a result of genetic mixing between Asians and white people.Ĭarroll Baker and James Shigeta in the 1961 film, "Bridge to the Sun."īorn in Hawaii, James Shigeta was a third generation Japanese American who served in the Korean War. The Golden Age of Hollywood’s depiction of Asia and Asian people was intertwined with the threat of “ yellow peril,” a cultural phenomenon marked by the fear that East Asian people posed a social, economic and political threat to the United States.
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The Golden Age of Hollywood, also known as Classical Hollywood or Old Hollywood, spanned the decades between 19 and typically featured white movie stars such as Marilyn Monroe, Humphrey Bogart and Elizabeth Taylor-but Asian American actors also acted in prominent roles during the time.